statement

My practice examines how memory and history are materially constructed, and how they can be reconfigured

through processes of displacement, repetition, and transformation.

Working across installation, sculpture, photography, and video, I approach landscape as a site where personal

and collective narratives accumulate, overlap, and fracture over time. Through the use of found materials, text,

and archival fragments, I explore how meaning is inscribed, altered, and reactivated.

A recurring aspect of my work is the reworking of existing materials and past projects, allowing histories to be

revisited and subtly destabilised. This process foregrounds the instability of authorship and questions how

narratives are inherited, rewritten, or obscured. My installations function as open structures in which memory

is not preserved but continuously negotiated, reflecting broader social and political conditions embedded

within everyday environments.