statement

My work looks at memory as an essential point for understanding. I am interested in landscape, meant as

a place of sedimentation, passage and change, the written word as a trace, game and formal aspect. 

My formal and conceptual work is inspired by collective and individual memories, as in cyclical life events.

Whenever a work is triggered by the meaning, the shape or the material, my practice tends to reassemble

the formal and conceptual aspects through a process that regenerates the history. It sometimes absorbs

old works into new ones and always points to social and political matters.

This process evolves in sculptures, installations, photographs and video as intervention of knowledge.

Every intervention can be affected by strong alteration of meaning like writing the history of someone else

or something that has already lived and has a story. The way to the outcome is achieved by an exploration

of balance until discovering coincides with recognizing.